4.5; noir Western, "hate, murder and revenge"; Like M, the progression of the story is overlaid onto a man’s self-destructive desire for revenge; Marlene Dietrich’s sexy ditty recalls the burlesque that was so memorable in Metropolis. cf. Johnny Guitar
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弗里茨朗为什么要拍这么砸招牌的片子……50岁的黛德丽也要浓妆才能掩盖岁月痕迹了……
即使有马琳戴德丽也难以掩盖这片儿的平庸
朗的西部片,彩色胶片里不再年轻的黛奶伤不起,另,始终对A赫本前夫梅尔费尔没好感